Peculiarisms and Dinosaurs

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Jimmy Kimmel tricked people at Coachella into professing their love for bands that don’t exist, and it is absolutely hysterical. 

(Source: cupkacie)

Jun 9
neil-gaiman:

Iain Banks 
16 February 1954 – 9 June 2013
 
Rest in Peace, Iain. I’ll miss you.

…I feel so sad

neil-gaiman:

Iain Banks 

16 February 1954 – 9 June 2013

 

Rest in Peace, Iain. I’ll miss you.

…I feel so sad

coldbutterflies:

oliverdykess:

OH MY GOD ITS A GOAT

asdkfjasdklfjkjaklsdj SO CUTE

(Source: meowingtontcat)

thedanaddams:

alacardjs:

reveseveilles:

I think my mouth is hanging open…

OMG!!!!!!

… Is this anime Harry Potter?

This is anime Harry Potter.

Oh… oh my gosh…

I WANT TO HAVE YOUR BABIES.

(Source: pixiv.net)

I went to high school with one of these guys. Very cool to see him doing well. 

hitsvilleuk:

I laboured for a long time writing the review for Faith & Violence, the new EP from Father Sculptor. I struggled for the adjectives to describe their music, I struggled for bands to compare them with; the Glasgow quintent are better than being lazily compared to The Smiths, or Joy Division, or any other ’80s/’90s post punk band you can think of. Father Sculptor are on track to being better than all of those bands. 
The truth is, there’s something inescapably difficult to describe about Faith & Violence, which is Father Sculptor’s second release in as many years. Following a small February tour, FS released “Lowlands” (and its companion video) and “Sault” to build excitement about the EP. Excitement was suitably built. The former is an ode to Glasgow, so says Thomas David Hall - the band’s soft-spoken frontman - tinged with calm electric pianos and gripping vocals, and the latter is a keyboard-driven groove laden with anguish.
Differing from 2012’s VI (available from the Father Sculptor Bandcamp and absolutely worth your full attention), Faith & Violence feels like a much more light-hearted-but-melancholy sister to the dark and moody tracks on VI; but the rulebook hasn’t changed. The guitars ooze reverb and the synths glisten (here I go with the adjectives again). “Basilica” (formerly known as “TDRA”) opens the EP, with grooves made for if ever Father Sculptor made a “smooth jam” that’s reminiscent of 2012’s “Aristide”. The chorus bassline is infectious and as can be and Hall’s vocals are spacious and distant. “The Swim” offers the most ’80s nostalgia of the 5 tracks on show, sexy and slow, with synth pads floating behind the cleanest guitars you’ve ever heard. The closer, “Swallowed In Dreams” has an guitar part reminiscent Smashing Pumpkins, and is another groove-laden dance track with snappy drums and a rumbling bassline. There’s not a weak track on offer here, meaning the current total of weak FS tracks sits comfortably at zero. 
In 2012 I said you can expect Father Sculptor’s rise to be astronomical. Expect it to be colossal. Father Sculptor have not only broken new ground on Faith And Violence, they’ve uprooted it and laid astroturf.  If only this EP was longer.
Faith And Violence is available on IX Hispana on April 15th. 
★★★★★★★★★☆

I went to high school with one of these guys. Very cool to see him doing well. 

hitsvilleuk:

I laboured for a long time writing the review for Faith & Violence, the new EP from Father Sculptor. I struggled for the adjectives to describe their music, I struggled for bands to compare them with; the Glasgow quintent are better than being lazily compared to The Smiths, or Joy Division, or any other ’80s/’90s post punk band you can think of. Father Sculptor are on track to being better than all of those bands. 

The truth is, there’s something inescapably difficult to describe about Faith & Violence, which is Father Sculptor’s second release in as many years. Following a small February tour, FS released “Lowlands” (and its companion video) and “Sault” to build excitement about the EP. Excitement was suitably built. The former is an ode to Glasgow, so says Thomas David Hall - the band’s soft-spoken frontman - tinged with calm electric pianos and gripping vocals, and the latter is a keyboard-driven groove laden with anguish.

Differing from 2012’s VI (available from the Father Sculptor Bandcamp and absolutely worth your full attention), Faith & Violence feels like a much more light-hearted-but-melancholy sister to the dark and moody tracks on VI; but the rulebook hasn’t changed. The guitars ooze reverb and the synths glisten (here I go with the adjectives again). “Basilica” (formerly known as “TDRA”) opens the EP, with grooves made for if ever Father Sculptor made a “smooth jam” that’s reminiscent of 2012’s “Aristide”. The chorus bassline is infectious and as can be and Hall’s vocals are spacious and distant. “The Swim” offers the most ’80s nostalgia of the 5 tracks on show, sexy and slow, with synth pads floating behind the cleanest guitars you’ve ever heard. The closer, “Swallowed In Dreams” has an guitar part reminiscent Smashing Pumpkins, and is another groove-laden dance track with snappy drums and a rumbling bassline. There’s not a weak track on offer here, meaning the current total of weak FS tracks sits comfortably at zero. 

In 2012 I said you can expect Father Sculptor’s rise to be astronomical. Expect it to be colossal. Father Sculptor have not only broken new ground on Faith And Violence, they’ve uprooted it and laid astroturf.  If only this EP was longer.

Faith And Violence is available on IX Hispana on April 15th. 

Jan 1

benicebefunny:

Farscape Sorting Hat, part four

Gryffindor: Talyn is born with guns blazing. Literally. He blasts himself out of Moya’s birth canal. As a young man, Talyn is brash, bold, and brave, flexing his might to destroy those who threaten him and those he loves. Even if that means sacrificing himself. Don’t mess with a lion’s mother, if you don’t want to hear him roar.

Hufflepuff: For most of the series, Braca appears to be a Slytherin climbing his way to the top of the Peacekeeper hierarchy on the backs of his disgraced superiors. Yet, in the middle of season four, we’re introduced to a man loyal—above all others—to the one person his training has taught him to despise most. Braca withstands Grayza’s unique management style for a cycle—not to advance through the ranks, but to protect Scorpius and his vision for preserving the Sebacean species.

Ravenclaw: Smart as her studded leather whip, Sikozu feeds her unending thirst for knowledge with books, leaving her somewhat clueless about people and the workings of the world outside the realm of theory. This ultimately leads to her downfall as she tries to play Scorpius and the Scarrans to free her people. Things work out differently than they did on paper.

Slytherin: If Salazar Slytherin were ever to meet Scorpius, after getting over his initial shock and disgust at the “half-breed,” Salazar would likely say something to the effect of, “Dude, you took this ‘any means to achieve their ends’ shit way too far.”

Dec 8

pleatedjeans:

anatomy of desert life

previously: anatomy of sea life

Nov 4

superawesomeshop:

Heart, Moscow and Snail by Daniel Muñoz, aka SAN

Nov 2

Punk Rock Green Day Made a Punk Rock Song for the Punk Rock Twilight Movie

jezebelcom:

I got my first Green Day CD when I was in 6th or 7th grade and I remember feeling transformed — not by the music (it was Nimrod for crying out loud), but by how I, Green Day CD Owner, would now appear to the outside world. This was about the same time that I began buying zip-off cargo pants and Cheshire Cat t-shirts from Hot Topic and, for some reason, wearing a visor backwards and upside-down. My friends, fellow Green Day fans, were spiking their hair with Elmers glue and donning mall-bought Anarchy t-shirts. Despite the fact that we were as mainstream as you could possibly get, we felt pretty punk rock. Sure, I can tell you now that this was silly — dumb even — but it was also kind of sweet in the way that a bunch of goofball kids trying to figure out their identities can be. We were all trying on social masks to see if one fit, all while being somehow both fake and sincere at the same time (a line only tweens can manage to walk).

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God, I swear she described me in 8th/9th grade with the first paragraph.